Fresco Painting
by Fleur Kelly
- Introduction:
What is fresco? Why use fresco?
The need for buildings to "breathe". Properties of lime.
The carbonation of lime.
- Mortars,
pigments and mediums
- The
work: Stud frames and portable surfaces for painting in fresco.
- Mortar
layers: arriccio, intonaco.
- Buon
fresco painting
- Mezzo
fresco
- Secco
painting
- Procedures:
giornate.
cartone, sinopia and spolvero.
- Further
techniques: stucco lucida and sgraffito.
- Incised
and impressed three-dimensional work
- Specialist
suppliers
- Basic
equipment
- Brief
history of the use of fresco
- Useful
background reading on technique
Cennino d'Andrea Cennini: 7he Craftsman's Handbook (II Libro dell'Arte),
translated by D.V. Thompson Jr (Dover 1954). Vasati on Technique, translated
by Louisa Maclehouse (Dover 1960). Ralph Mayer, The Artist's Handbook of
Matetials and Techniques (4th revised edition, Faber and Faber 1982).